Add Value and Security to Your Images
Jan25

Add Value and Security to Your Images

By Arthur H. Bleich– If you currently sell (or would like to sell) prints of your best work here’s a technique I’ve used successfully to assure buyers that if they resell my photographs some day it can be proven that they are genuinely mine and not unauthorized copies. I began doing this a few years ago when a friend who sells prints at art shows and fairs in this country traveled overseas and found copies of his work being sold...

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Get Maximum Shadow Detail in Your Prints
Oct04

Get Maximum Shadow Detail in Your Prints

By Tim Grey– In many cases a print will not reflect the full level of shadow detail as actually exists in the image file. Instead, that shadow gets “blocked up,” similar to the way shadow detail gets clipped in an exposure that is too dark. You can compensate for this issue by essentially brightening the value of black, causing all neighboring tonal values to be brightened up accordingly. With the vast majority of printers I find that...

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Try Soft Light For Great Portraits
Jan12

Try Soft Light For Great Portraits

By Arthur H. Bleich– In the early days of amateur photography, enthusiasts were always being warned to “keep the sun at your back” because films were slow and  needed lots of light to record a decent image. But before photography became the beloved hobby of the masses, Victorian studio photographers had discovered that the best way to light their subjects was to avoid the sun altogether. They set up indoor studios with...

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Paper Crafts: Custom Christmas Inkjet Gift Tags
Dec04

Paper Crafts: Custom Christmas Inkjet Gift Tags

We all love to add a little bit of personal touch to our Christmas decorations and gifts. How about printing your own Christmas tags? We went over to NorthpoleChristmas.com and downloaded the free template, picked out a couple of our favorite Red River Papers (see which in “Resources” below) and voila – adorable Christmas tags.   If you are using Photoshop, you could even personalize the tags with the font of...

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Richard Baker: War and Peace
Oct26

Richard Baker: War and Peace

By Arthur H. Bleich– In 1966, Richard Baker aimed his M-16 at the Vietnamese; today he uses an arsenal of analog cameras to shoot them. His goal is to photograph all 54 ethnic tribes in the country where he was once sent to fight. Now 68, the twice-wounded Army veteran has been back to Vietnam about 15 times since the war ended; he jokes that he’s done more tours of duty there than any other soldier. Capturing images on pin-hole and...

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What To Think About BEFORE You Shoot
Sep09

What To Think About BEFORE You Shoot

   By Arthur H. Bleich– Chances are you already know about different post production work flow techniques that can be used in Photoshop and/or Lightroom after you’ve shot your pictures. But it’s equally important to establish a workflow you can follow before you even make the shot. Here are nine things you should think about before you lift the camera to your eye. I’ve grouped them so when you begin to follow this recipe you only...

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Backup Therapy for Paranoid Photographers, Part 2
Apr14

Backup Therapy for Paranoid Photographers, Part 2

By Tim Grey–  Variability. I am often asked whether it is best to use a full backup solution where the backup is replaced each time you perform a backup, or an incremental backup where only changes made since the last backup are copied. My answer is to use both of these approaches. There are advantages and disadvantages to each type of backup, and so I encourage you to use more than one approach to help make up for the limits of each...

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Backup Therapy for Paranoid Photographers, Part 1
Apr07

Backup Therapy for Paranoid Photographers, Part 1

By Tim Grey–  To me a big part of why I capture photographic images in the first place is to preserve memories that are important to me. By definition, if I intentionally pressed the shutter release button on the camera then the photo I captured is important to me in some way. Therefore, I want to make sure that my photos are stored in a way that minimizes the risk of loss. Hard drives fail—all too often—and I want to ensure that a...

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Six-day Orgy of Free Seminars wIll be Streamed February 23-28 during Photoshop Week 2015
Feb20

Six-day Orgy of Free Seminars wIll be Streamed February 23-28 during Photoshop Week 2015

The world’s foremost Photoshop and Lightroom experts will come together at CreativeLive’s Third Annual Photoshop Week (February 23-28, 2015), a six-day series of 49 online seminars streamed directly to your computer for viewing in the comfort of your home or studio. CreativeLive will broadcast live, 90-minute classes presented by the industry’s leading Photoshop experts including Dave Cross, Tim Grey, Jason Hoppe, Mike Kelley,...

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Editing for Print – Sharpening with Tim Grey
Sep12

Editing for Print – Sharpening with Tim Grey

If you are printing your work, getting it to look good on the monitor is just the beginning. To make it look awesome on paper, you have to do a bit more work. Red River Paper has teamed up with photography expert and educator Tim Grey to bring you a video series called Editing for Print. Over the coming weeks we will explore a few simple but critical edits before printing that have a big impact.    SPECIAL OFFER Red River Paper...

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Ask Tim Grey – Print Sizing
Feb05

Ask Tim Grey – Print Sizing

By Tim Grey–    Today’s Question: In Photoshop you can easily juggle image size and canvas size to obtain a print with the image size and border combination you desire. In Lightroom 5 I cannot find a similar set of functions in the print module where I can do the Photoshop equivalent. The presets in Lightroom 5 give you a maximum cell size in both length and height depending on what paper size you select. How do you do you...

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